miércoles, 21 de mayo de 2014

Tell tale heart

Tell tale heart

Edgar Alan Poe

http://www.literature.org/authors/poe-edgar-allan/tell-tale-heart.html

TRUE! nervous, very, very dreadfully nervous I had been and am; but why WILL you say that I am mad? The disease had sharpened my senses, not destroyed, not dulled them. Above all was the sense of hearing acute.

I heard all things in the heaven and in the earth. I heard many things in hell. How then am I mad? Hearken! and observe how healthily, how calmly, I can tell you the whole story.

It is impossible to say how first the idea entered my brain, but, once conceived, it haunted me day and night. Object there was none. Passion there was none. I loved the old man.

He had never wronged me. He had never given me insult. For his gold I had no desire. I think it was his eye! Yes, it was this! One of his eyes resembled that of a vulture -- a pale blue eye with a film over it. Whenever it fell upon me my blood ran cold, and so by degrees, very gradually, I made up my mind to take the life of the old man, and thus rid myself of the eye for ever.

Now this is the point. You fancy me mad. Madmen know nothing. But you should have seen me.

You should have seen how wisely I proceeded -- with what caution -- with what foresight, with what dissimulation, I went to work! I was never kinder to the old man than during the whole week before I killed him. And every night about midnight I turned the latch of his door and opened it oh, so gently! And then, when I had made an opening sufficient for my head, I put in a dark lantern all closed, closed so that no light shone out, and then I thrust in my head. Oh, you would have laughed to see how cunningly I thrust it in! I moved it slowly, very, very slowly, so that I might not disturb the old man's sleep. It took me an hour to place my whole head within the opening so far that I could see him as he lay upon his bed. Ha! would a madman have been so wise as this? And then when my head was well in the room I undid the lantern cautiously -- oh, so cautiously -- cautiously (for the hinges creaked), I undid it just so much that a single thin ray fell upon the vulture eye. And this I did for seven long nights, every night just at midnight, but I found the eye always closed, and so it was impossible to do the work, for it was not the old man who vexed me but his Evil Eye. And every morning, when the day broke, I went boldly into the chamber and spoke courageously to him, calling him by name in a hearty tone, and inquiring how he had passed the night. So you see he would have been a very profound old man, indeed , to suspect that every night, just at twelve, I looked in upon him while he slept.

Upon the eighth night I was more than usually cautious in opening the door. A watch's minute hand moves more quickly than did mine. Never before that night had I felt the extent of my own powers, of my sagacity. I could scarcely contain my feelings of triumph. To think that there I was opening the door little by little, and he not even to dream of my secret deeds or thoughts. I fairly chuckled at the idea, and perhaps he heard me, for he moved on the bed suddenly as if startled. Now you may think that I drew back -- but no. His room was as black as pitch with the thick darkness (for the shutters were close fastened through fear of robbers), and so I knew that he could not see the opening of the door, and I kept pushing it on steadily, steadily.

I had my head in, and was about to open the lantern, when my thumb slipped upon the tin fastening , and the old man sprang up in the bed, crying out, "Who's there?"

I kept quite still and said nothing. For a whole hour I did not move a muscle, and in the meantime I did not hear him lie down. He was still sitting up in the bed, listening; just as I have done night after night hearkening to the death watches in the wall.

Presently, I heard a slight groan, and I knew it was the groan of mortal terror. It was not a groan of pain or of grief -- oh, no! It was the low stifled sound that arises from the bottom of the soul when overcharged with awe. I knew the sound well. Many a night, just at midnight, when all the world slept, it has welled up from my own bosom, deepening, with its dreadful echo, the terrors that distracted me. I say I knew it well. I knew what the old man felt, and pitied him although I chuckled at heart. I knew that he had been lying awake ever since the first slight noise when he had turned in the bed. His fears had been ever since growing upon him. He had been trying to fancy them causeless, but could not. He had been saying to himself, "It is nothing but the wind in the chimney, it is only a mouse crossing the floor," or, "It is merely a cricket which has made a single chirp." Yes he has been trying to comfort himself with these suppositions ; but he had found all in vain. ALL IN VAIN, because Death in approaching him had stalked with his black shadow before him and enveloped the victim. And it was the mournful influence of the unperceived shadow that caused him to feel, although he neither saw nor heard, to feel the presence of my head within the room.

When I had waited a long time very patiently without hearing him lie down, I resolved to open a little -- a very, very little crevice in the lantern. So I opened it -- you cannot imagine how stealthily, stealthily -- until at length a single dim ray like the thread of the spider shot out from the crevice and fell upon the vulture eye.

It was open, wide, wide open, and I grew furious as I gazed upon it. I saw it with perfect distinctness -- all a dull blue with a hideous veil over it that chilled the very marrow in my bones, but I could see nothing else of the old man's face or person, for I had directed the ray as if by instinct precisely upon the damned spot.

And now have I not told you that what you mistake for madness is but over-acuteness of the senses? now, I say, there came to my ears a low, dull, quick sound, such as a watch makes when enveloped in cotton. I knew that sound well too. It was the beating of the old man's heart. It increased my fury as the beating of a drum stimulates the soldier into courage.

But even yet I refrained and kept still. I scarcely breathed. I held the lantern motionless. I tried how steadily I could maintain the ray upon the eye. Meantime the hellish tattoo of the heart increased. It grew quicker and quicker, and louder and louder, every instant. The old man's terror must have been extreme! It grew louder, I say, louder every moment! -- do you mark me well? I have told you that I am nervous: so I am. And now at the dead hour of the night, amid the dreadful silence of that old house, so strange a noise as this excited me to uncontrollable terror. Yet, for some minutes longer I refrained and stood still. But the beating grew louder, louder! I thought the heart must burst. And now a new anxiety seized me -- the sound would be heard by a neighbour! The old man's hour had come! With a loud yell, I threw open the lantern and leaped into the room. He shrieked once -- once only. In an instant I dragged him to the floor, and pulled the heavy bed over him. I then smiled gaily, to find the deed so far done. But for many minutes the heart beat on with a muffled sound. This, however, did not vex me; it would not be heard through the wall. At length it ceased. The old man was dead. I removed the bed and examined the corpse. Yes, he was stone, stone dead. I placed my hand upon the heart and held it there many minutes. There was no pulsation. He was stone dead. His eye would trouble me no more.

If still you think me mad, you will think so no longer when I describe the wise precautions I took for the concealment of the body. The night waned, and I worked hastily, but in silence.

I took up three planks from the flooring of the chamber, and deposited all between the scantlings. I then replaced the boards so cleverly so cunningly, that no human eye -- not even his -- could have detected anything wrong. There was nothing to wash out -- no stain of any kind -- no blood-spot whatever. I had been too wary for that.

When I had made an end of these labours, it was four o'clock -- still dark as midnight. As the bell sounded the hour, there came a knocking at the street door. I went down to open it with a light heart, -- for what had I now to fear? There entered three men, who introduced themselves, with perfect suavity, as officers of the police. A shriek had been heard by a neighbour during the night; suspicion of foul play had been aroused; information had been lodged at the police office, and they (the officers) had been deputed to search the premises.

I smiled, -- for what had I to fear? I bade the gentlemen welcome. The shriek, I said, was my own in a dream. The old man, I mentioned, was absent in the country. I took my visitors all over the house. I bade them search -- search well. I led them, at length, to his chamber. I showed them his treasures, secure, undisturbed. In the enthusiasm of my confidence, I brought chairs into the room, and desired them here to rest from their fatigues, while I myself, in the wild audacity of my perfect triumph, placed my own seat upon the very spot beneath which reposed the corpse of the victim.

The officers were satisfied. My MANNER had convinced them. I was singularly at ease. They sat and while I answered cheerily, they chatted of familiar things. But, ere long, I felt myself getting pale and wished them gone. My head ached, and I fancied a ringing in my ears; but still they sat, and still chatted. The ringing became more distinct : I talked more freely to get rid of the feeling: but it continued and gained definitiveness -- until, at length, I found that the noise was NOT within my ears.

No doubt I now grew VERY pale; but I talked more fluently, and with a heightened voice. Yet the sound increased -- and what could I do? It was A LOW, DULL, QUICK SOUND -- MUCH SUCH A SOUND AS A WATCH MAKES WHEN ENVELOPED IN COTTON. I gasped for breath, and yet the officers heard it not. I talked more quickly, more vehemently but the noise steadily increased. I arose and argued about trifles, in a high key and with violent gesticulations; but the noise steadily increased. Why WOULD they not be gone? I paced the floor to and fro with heavy strides, as if excited to fury by the observations of the men, but the noise steadily increased. O God! what COULD I do? I foamed -- I raved -- I swore! I swung the chair upon which I had been sitting, and grated it upon the boards, but the noise arose over all and continually increased. It grew louder -- louder -- louder! And still the men chatted pleasantly , and smiled. Was it possible they heard not? Almighty God! -- no, no? They heard! -- they suspected! -- they KNEW! -- they were making a mockery of my horror! -- this I thought, and this I think. But anything was better than this agony! Anything was more tolerable than this derision! I could bear those hypocritical smiles no longer! I felt that I must scream or die! -- and now -- again -- hark! louder! louder! louder! LOUDER! --

"Villains!" I shrieked, "dissemble no more! I admit the deed! -- tear up the planks! -- here, here! -- it is the beating of his hideous heart!"

viernes, 16 de mayo de 2014

Seis tips
Entre las acciones de apoyo a mi aprendizaje me registré en un par de sitios, entre ellos Busuu y del cual me llegó un correo que contiene varios tips que Karen nos transmite por estos días y que, creo, espero, les resulte de interés. Dice así:
Aquí tienes 6 valiosos consejos para ayudarte a mejorar en tus estudios de idiomas:
Fijate en las 'S' - En inglés, la tercera persona (he, she, it) obliga a un cambio en el modo en que se forman los verbos, especialmente en presente. Así decimos “I love learning” pero “She loves learning”. En otros idiomas hay más variaciones que en inglés, pero esto es a menudo algo difícil de recordar y usar de modo natural.
Hay muchos "ingleses" - El inglés se habla en todo el mundo, por gente para la que es su primera lengua y los que lo han aprendido de jóvenes y de adultos. Lo que significa que hay muchos acentos y modos de hablar diferentes. Deberías escuchar tantos acentos diferentes como te sea posible y darte cuenta de que el inglés tiene muchas versiones.
¿Cómo se escribe? - El inglés no tiene un sistema ortográfico fonético, lo que implica que la relación entre el sonido y la escritura no es siempre la misma. Esto produce muchos problemas de pronunciación para los estudiantes de inglés. Puede mejorarse escuchando y repitiendo las palabras y frases nuevas que aprendes. Intenta hacerlo con los ojos cerrados, de manera que no te centres siempre en la forma de escribirlo.
Formas débiles - Una cuestión difícil de la pronunciación en inglés es que muchas palabras tienen "formas débiles". Esto significa que cuando la gente habla naturalmente, muchas de las palabras comunes no se enfatizan. Por ejemplo, la frase "What are you doing tonight?" normalmente tendrán las formas débiles de "are" y "you". Es importante escuchar el uso natural del inglés y familiarizarse con el ritmo del idioma. Utiliza Twitter - Busca el hashtag #LearnEnglish en Twitter y encontrarás montones de consejos, ideas, juegos y actividades que te ayudarán a mejorar tu inglés. Hay toda una comunidad de personas ahí fuera que están esperando para ayudarte a mejorar tu inglés. Saca el máximo partido del inglés en cualquier parte - Porque el inglés es un idioma tan global que puedes encontrar ejemplos en cualquier parte. En un día común de tu vida, echa un vistazo al inglés que ves y copia algunas de la frases en una libreta o en tu móvil.

martes, 13 de mayo de 2014

The house on the moors - by Paul Shipton
Beth Marshall looked out of the window at the rain. 'I hate winter in London,' she said. 'lt's so cold and wet.' 'You need a holiday,' said Jim, her husband. 'We both need a holiday. Let's go away this weekend.' < 'Where can we go?' asked Beth. Jim smiled. 'Let's not decide where to go. Let's get in the car and drive!' They started their journey on Saturday morning. They drove north out of the city. Soon they were in the country. 'Look at the trees and hills. Smell the fresh air,' Beth said. 'I love the country.'
'Me too,' said Jim. They drove for many hours. They always drove on small country roads. At five o'clock it started raining. Soon it was dark. After a while, Beth asked, 'Where are we?' 'In Yorkshire/ said Jim. 'Where in Yorkshire?' asked Beth. 2 Jim looked at the map. 'Er ... I don't know,' he said. 'We're on the Yorkshire Moors. Don't worry.' But Beth was worried. It was late and they were lost. It was foggy now. It was difficult to see the road. 'We must stop for the night soon, Jim,' she said. They drove on. Jim was worried too, but he didn't say anything. At last, they saw a building. It was a small pub beside the road. The pub was called The King's Arms..: They stopped and went in. There were a few people in the pub. When Beth and Jim walked in, they all looked up. The barman said, 'Hello. We don't see many strangers in here. What can I get you to drink?' "Two beers, please,' said Beth. Then Jim asked the barman, 'Is there a hotel near here?'
'Yes, you're in luck,' said the barman. 'There's a hotel five miles down the road. The owners are very friendly.' Jim and Beth got back into the car and drove down the road. After ten minutes, they saw a sign- Aquarius Hotel. Jim said, 'You see? I said, "Don't worry!" We can stay here tonight.' 3 They parked outside the Aquarius Hotel and got out of the car. Beth looked up at the hotel. 1t was a big, dark building and there were no lights in the windows. 'Perhaps it's Dracula's house!' Jim said. He laughed. 'That's not funny! I don't like this place, whispered Beth. Jim took their cases out of the car. A man and a woman came out of the door of the hotel. They were both about thirty years old. The woman had long brown hair. The man wore glasses, and he had long hair too.
'Hi. Can we help you?' asked the woman. 'Yes. We need a room for the night,' said Jim. 'Groovy. You've cometo the right place, man,' said the man. 'Come in. I'm Cathy Slater, and this is my husband, Ray.' 'I'm Jim Marshall,' said Jim. 'And I'm Beth Marshall,' said Beth. 4 'Ray, take Jim and Beth's cases upstairs,' said Cathy. 'I'd love to help, but I can't lift things. My back hurts. You know that, baby,' said Ray. 'You're just lazy,' said Cathy. 'Never mind! I can take them myself.' Jim and Beth walked past the reception desk and followed Cathy upstairs. Cathy opened the door to room three. 'Here you are,' she said. 'I hope you like it.' 'Oh, yes,' said Beth. 'It's very nice.' 'Are you hungry?' Cathy asked. 'Yes, very hungry,' said Jim. 'Good. Dinner is at nine o'dock. Come downstairs when you're ready.'
'Look, there's a television!' said Beth. Jim sat down on the bed. 'Let's see what's on,' he said. Beth switched the television on. 'That's a terrible picture,' said Jim. 'Yes. And it's black and white,' said Beth. 'ls ita film?' 'No, it's The News, I think. No, wait - it's a programme about the Vietnam war.' They watched TV for a few minutes. Then Jim said, 'Come on. Let's go and have dinner.' 5 Ray Slater was in the dining-room downstairs. There were four plates on the table. 'Are we the only people in the hotel?' asked Jim. 'Yes, that's right, man,' said Ray. There was a record-player in the comer of the dining-room. The music was very loud. 'I remember this song,' Beth said. 'lt's by The Beatles, isn't it?' 'Yeah, man,' said Ray. 'It's number one in the charts!' 'Do you like 60s music?' asked Beth. 'Yeah, man. It's groovy. It's great,' said Ray. 'I prefer modern music. I think Madonna is great, and I like
Michael Jackson,' said Beth. 'Who are they?' asked Ray. Jim and Beth laughed. Ray noticed the watch on Beth's wrist. 'Hey, that's a great watch,' he said. 'Can I look at it?' Beth showed him the watch. 'It was a birthday present from my husband,' she said. 'Wow, it's incredible!' said Ray. 'It hasn't got any hands, only numbers!' Suddenly Cathy shouted from the kitchen, 'Ray! The dinner's ready. I want you here NOW!' Ray smiled. 'I've got to go,' he said. He went into the kitchen. 6
So where are you from? Yeah, I first met Cathy in London. I was in a rock band. 1 played guitar. Banks and computers? Wow! 7
Aftcr dinner Ray played his guitar. He looked at Beth. 'This is a song I wrote about a beautiful woman,' he said. Ray sang. His song wasn't very good, but Jim and Beth listened politely. Ray played three more songs, then Jim stood up. 'It's late, and we're tired,' he said. 'Thanks for a nice evening.' He and Beth went upstairs.
In their room, they started laughing. Jim said, 'Well, what did you think of the Slaters? ' 'They're very strange people,' Beth said. 'Did you see their clothes? My mum and dad wore clothes like that when they were young! And they listened to The Beatles too!' Jim laughed. 'Groovy, man!' he said. Suddenly they heard a noise from downstairs. 'Shhh! Listen!' Beth said. They listened to the noise for a few moments. 'lt's the Slaters,' said Jim. 'They're having an argument.' Jim and Beth heard Cathy shouting at Ray. They heard the words, 'lazy' and 'stupid song'. Then they heard a door shut. 8
Jim and Beth were both tired so they went to bed. But they didn't sleep because the room was hot. 'Jim? Are you awake?' Beth asked. 'Yes, 1 can't sleep. It's too hot in here.' Jim got up and opened the window. But now the room was very hot. Jim and Beth still didn't sleep. At last Jim got up again. 'This is stupid,' he said. 'lt's three o'clock in the mórning. I'm going downstairs to see the Slaters.' Jim went downstairs. He rang the bell on the desk and waited. Nobody came. Jim looked around. There was a corridor behind the desk and at the end of the corridor was a door. The sign on the door said PRIVATE. That's the Slaters' room, thought Jim. I'm going to wake them up. We need a different room.
Suddenly he stopped. He heard voices from behind the door. Cathy was still angry and her voice was loud. Ray was angry too. Jim waited outside the door, but the argument continued. . Jim decided to knock on the door. But suddenly he heard a terrible scream from the room. Jim was very frightened. He ran back down the corridor and up the stairs to room three. 10
The room was still very hot. 'I heard a scream,' Beth said. 'Jim, your face is white. What's wrong?' 'We're leaving,' Jim said. 'But why ...' 'We're leaving NOW!' said Jim. They packed their cases and ran downstairs. Jim left sorne money on the reception desk and they ran outside. Then they got into the car and drove away. 'Goodbye, Aquarius Hotel!' said Jim. 'I hope we never see you again!' said Beth. Jim thought about the Aquarius Hotel. He thought about the terrible scream from the Slaters' room. It started to get light and the sun came out. Jim looked at Beth. 'Come on. Let's forget about the Slaters,' he said. 'What's the time?' Beth looked at her wrist. 'My watch!' she shouted. 'I haven't got it!' Jim stopped the car and they looked for the watch, but it wasn't there. 'It's in our hotel room,' said Beth. 'We've got to go back' '1 can buy you a new watch,' said Jim, 'but we can't go back to the hotel. I don't want to talk to those people again. They were very strange.' Beth started to cry. 'I love that watch, and I don't want to lose it.' At first Jim didn't say anything. What am I afraid of? he thought. The Slaters? That terrible scream? There's nothing to be afraid of. l'm being stupid. 'OK,' he said. 'Let's go back' They turned the car around and drove back towards the hotel. lt was late in the morning when they passed The King's Arms. 'There's the pub,' said Beth. 'We're nearly there.'
They drove on for five minutes. Then ten min utes. Then twenty minutes. There was no hotel. J .. > -- - '1 don't understand,' said Jim. 'This is the right road. But where's the hotel?' 'It was dark last night,' Beth said. 'Perhaps this is a different road. Let's go back to the pub and ask the way.' 12 There were a few people in the pub again. The barman was behind the bar, but he looked different. He looked older and his hair was grey. Perhaps he's the other barman's father thought Beth. 'Helio,' said Beth. 'We're looking for the Aquarius Hotel. It's near here, isn't it?' 'People here don't talk about the Aquarius,' the barman said. 'But last night your son sent us to the Aquarius,' said Beth. '1 haven't got a son,' said the barman. 'Forget about the Aquarius Hotel and go home.' 'Why?' asked Jim. 'Something terrible happened there.' 'What happened?' asked Beth. 'Please tell us.'
And so the barman told them the story. 'Ray and Cathy Slater opened The Aquarius Hotel in 1967. It was a small hotel, but people liked it. There was only one thing wrong - Cathy did all the work, while Ray lazed around and played the guitar.' 13 'One day, in 1969, a young man and woman came to the hotel. Ray didn't carry their cases. He didn't help to cook the dinner and he was too friendly with the young woman. Cathy became very angry. She started to shout at him, but Ray just laughed. At last, she picked up a knife and killed him.' Jim and Beth looked at each other. 'But we met Ray and Cathy Slater last night,' said Beth. 'We stayed in their hotel.' 'That's impossible,' said the barman. 'There is no hotel. On that night in 1969, Cathy Slater killed her husband and then she bumed down the hotel. The young man and woman escaped, but Cathy Slater died in the fire. The police found her body next to her husband's.' 14 'But we saw the Slaters last night,' said Jim. 'Did you?' said the barman. 'Well, I don't believe in ghosts. Now, what can 1 get you to drink?' 'Er ..., nothing, thanks,' said Jim. They ran out of the pub. They got into the car and drove away from The King's Arms. Jim and Beth didn´t talk for a long time. They thought about last nigth: the pub, the hotel, the Slaters and the hot room. Then they thought about the terrible scream. It was strange, but it was true. The Slaters were ghost.
When they were near London, Jim laughed. 'I don't like the country,' he said. 'I like busy streets, lots of cars, high buildings and cinemas.' 'You're right,' said Beth. 'I like cities too. We're city people.' Jim and Beth drove home. 15 Macmillan Heinemann English Language Teachi g Between Towns Road, Oxford OX4 3PP, UK A division of Macm illan Publishers Limited Companies and representatives throughout the world ISBN O 4352m9 4 This reader is also available on cassette ISBN O 435 27805 3 © Paul Shipton 1994 Design and illustration © Macmillan Publishers Limited 1998 Heinemann is a registertrademark of Reed Educatíonal and Professional PubUshing Unúted First published 1994 All rights reserved; no part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publishers. Designed by Sue Vaudin Illustrations by Ian Heard HEINEMANN ELT NEW WAV E READERS Series Editor: Alan C. McLean Level2 Za rgon Zoo by Paul Sllipton Double Danger by Tony Hopwood Ka reteka by Sue Leatller and Marje Brash Kate's Revenge by Pllilip Prowse Escape from Castle Czarka by Atan C. McLean The House on the Moors by Paul Sllipton Typeset by Thrcefold Design Printed in Hong Kong 2004 2003 2002 2001 13 12 11 10 9 8 7

sábado, 10 de mayo de 2014

A Walk in Amnesia
by O. Henry

Aquí el cuento de O Henry, que Karen nos envió. Con el adicional de que podemos escucharlo vía MP3.

http://e-repa.ru/reading/ohenry/04/a_walk_in_amnesia.htm


Mientras vamos friendo, vamos comiendo...

Vamos friendo...

Un lugar para incluir materiales de estudio del grupo Vamos friendo, hacer comentarios y todo cuanto contribuya a la meta común de estudiar, aprender nuevas voces, celebrar la ceremonia de mate y pasarla bien.